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Mary witnesses the brutal suicide of her Father. His death unleashes the savage forces of demonic possession in his daughter. The End of Days is upon the world, famine, drought, looting and chaos are ripping the world apart and the Catholic Church is trying to save an innocent soul from the ravages of satanic possession. Wave after wave of holy men are sent to confront the possessed but what is the Holy Church actually doing? The City on Seven Hills is working on the Second Coming of Christ but before He comes back - the Antichrist must rule for seven years. The Song of Solomon's true nature is to unleash an evil the world has been waiting for since the beginning of time.

Media

Watch trailer »

Bonus Materials

• Commentary with Stephen Biro & Jessica Cameron
• Commentary with Stephen Biro, Marcus Koch & Jerami Cruise
• Behind the Scenes
• Interview with Actress Jessica Cameron
• Interview with Writer/Director Stephen Biro
• Interview with Special Effects Artist Marcus Koch
• Trailers

Sales Points

• All practical FX, No CGI!
• For fans of possession movies!
• A cross between The Exorcist and The Evil Dead
• For fans of Ash Vs The Evil Dead

Press Quotes

'The Song of Solomon' has the ability to hit horror loving viewers where it hurts which is in the heart and soul. '

     —Brad Slaton, Tom Hollands Terror Time

' The third act is wild and relentless, a near perfect piece of indie horror brutality and ingenuity -- something that must be experienced firsthand.'

     —Danni Winn, Morbidly Beautiful

'Better than The Exorcist.'

     —Spencer Evatt, House of Tortured Souls

'...it pulls no punches and makes no apologies!'

     —Samuel Glass Jr., Beneath The Underground

'all aspects of filmmaking - story, acting, directing and effects - come together in perfection. Stephen Biro and co. have set a VERY high bar by which the genre could, and should, be measured.'

     —Phil Wheat, Nerdly UK

'The Song of Solomon is one hell of a demonic possession film and it deservedly remains in a distinctively grotesque class of its own.'

     —Ryan Logsdon, Beneath The Undergound